Here’s a final follow-up to my last two blog posts.

First, please review the mosque photos in my two prior posts.

Note the powerful and undeniable THREE-IN-ONE architecture on their facades.

Here is an example:

Khudasia Mosque

Look at the THREE domes and the THREE doorways.

See how the dome and doorway in the center is larger than the two flanking?

I call this THREE-IN-ONE architecture a “Triptych.”

These mosques clearly depict the same Triptych architecture that European Freemasons designed into the facades of Europe’s Gothic cathedrals.

Scholars have not yet recognized it, but mosque Triptychs are the mystical creations of “Arabian Freemasons”—just as cathedral Triptychs are the work of medieval European Freemasons.

My new book, Written In Stone, reveals how operative Freemasons purposely encoded Triptychs into cathedral architecture to secretly symbolize a powerful and ancient “Sacred Science of Three” they inherited from Antiquity. (Visit www.DeeperTruth.com).

So, with this in mind, the discovery of Triptychs on mosques indicates something very interesting:

As European Freemasons encoded the Triptych into cathedral architecture to symbolize the ancient worldwide “Sacred Science of Three”…so Arabic Freemasons encoded the Triptych into mosque architecture to denote the same.

After my previous post went live, I received a few emails from readers who identified themselves as Freemasons, questioning my conclusion that Freemasonry made its way into Arabia.

It’s a great question with a simple answer.

In fact, a well-known mainstream author named Albert Gallatin Mackey (1807 – 1881) wrote on this subject.

Keep in mind that back in the 1800s when Mackey was writing, the word “Mohammedan” meant “Muslims”:

“Nearly all of the old Mohammedan buildings in India, such as tombs, mosques, etc., are marked with Masonic symbols, and many of these structures, still perfect, were built in the time of the Mogul Emperor Akbar, who died in 1605. Thus Masonry must have been introduced into India from Middle Asia by the Mohammedans hundreds of years ago.”—Albert Mackey

Mackey clearly believed that Masonry was “introduced into India” by Muslims “hundreds of years ago.”

Mackey also gives us an important clue as to the possible source of Muslim Masonic architecture—the Mogul Emperor Akbar.

Now, rather than making you read a long, drawn-out explanation of history, I’d prefer to ask you to conduct your own study into the so-called “Mogul” Empire, also spelled “Mughal” (1526–1858).

Study its culture, analyze its art and architecture, and see if you can identify the Moguls as a Triptych-building people, as possessors of the Sacred Science from Antiquity.

(To understand what I mean by “Sacred Science,” visit www.DeeperTruth.com).

As you study the Moguls, I think you’ll see them as a family lineage of builders in stone—in a word, “Freemasons”—who were initiates of Triptych / Sacred Science wisdom.

That is to say, the Moguls appear to have been authentic Freemasons who knew the truth behind the ancient Triptych / Sacred Science.

And they knowingly replicated this Triptych / Sacred Science wisdom in the architecture they designed and constructed.

Let me leave you with one wonderful example, to get you started.

The Mogul Emperor Akbar (who, as Mackey tells us in the quote above, died in 1605) was a close relative to a man named Shah Jahan.

Now, the name “Shah Jahan” means nothing to you, right? That is, until you realize he was the builder of the great Taj Mahal.

With its three giant domes arranged in an ominous Triptych design, the Taj Mahal forms one of the most mysterious and incredible Triptychs on earth:

Flanking the Taj Mahal are a pair of mosques, both of which have three massive Triptych domes, as well as a clear Triptych portal entryway:

This is clear evidence that the Triptych was known to Arabic peoples, and was encoded into mosque architecture.

Amazingly, the two mosques flanking the Taj Mahal actually form a Triptych, along with it.

The two mosques are precise mirror images of each other.

Finally, here’s a snippet of text from a book called Freemasonry in the Eastern Hemisphere by Ray V. Denslow.

Denslow was master of Trenton Lodge No. 131, Missouri, and Grand Master of the Grand Lodge of Missouri in 1931:

“Freemasonry in India is no new venture. That there were societies of operative Masons there long before the British occupation is evident by the signs and symbols which are easily seen on many of the ancient forts, temples and tombs.”— Ray V. Denslow

Denslow also writes:

“A very interesting book on the subject entitled Indian Masons’ Marks of the Mogul Dynasty, has been written by Bro. Gorham.”

Now, I don’t want to get into a deep explanation of this book or these marks.

My point for this post, and for my two previous blog posts, is simply to suggest that an “Arabian” form of Freemasonry surely existed, though scholars don’t recognize it.

As evidence, we find Triptych architecture in mosques all over Arabia, just as we find Triptych architecture in cathedrals throughout Europe.

Why? Because there’s a deeper meaning behind the Triptych; it symbolizes a lost ancient Sacred Science perpetuated by the Freemasons.

Stay tuned for more evidence that reveals how the Triptych (and the Sacred Science it symbolizes) is the real-life Lost Symbol of the Freemasons.

Or visit www.DeeperTruth.com for more.

This is a follow-up to my previous post (on January 21^st).

Before you read this post, scroll down a bit and look at the small group of mosque photos I put together.

Can you see a strange, recurring pattern in the architecture?

(HINT: Think of the number THREE.)

I’m presenting these mosque photos because, in the last ten days I received two emails about my last post, both from skeptics.

One was a university instructor.

He says the “Triptych” three-in-one doorway (that I pointed out on cathedrals and mosques) is “happenstance, random, accidental, not symbolic of anything…”

He felt I was a victim of my own desire “to see something there that really isn’t there.”

He added, “To point to a few mosques that have three doors at their entrance, and to link this to the Gothic architecture of Christianity, insinuating an international, intergenerational, and interfaith conspiracy on the part of the builders, well, that’s far-fetched.”

First, I don’t think it’s far-fetched at all because Freemasonry is exactly an “international, intergenerational, and interfaith conspiracy” (or, instead of “conspiracy” let’s say “Secret Society”).

What’s more, we already have evidence of the existence of the Freemasons; we already have evidence that at one time the Freemasons built religious structures; we already have evidence that the Order accepts all religions (and is not partial to any one in particular); and we already have evidence that these Freemasons built using “Triptych” architecture.

Sure, we don’t yet have evidence that “Freemasons” built mosques.

But the Triptych discovery I’m pointing out on the facades of mosques—which parallels Gothic cathedral Triptychs—will soon change that.

(NOTE: This is why I’m writing Written In Stone—to break ground on this new discovery; to illuminate the idea that Freemasons encoded the Triptych into all types of buildings worldwide with the intention of memorializing a “Sacred Science of the Soul,” which is an eternal reality that transcends individual myths and religions.)

Just think about it…The Freemasons built the Gothic cathedrals, according to scholars, right?

And the Freemasons have historically encompassed all the religions—not just Christianity—right?

So, then, how much of a stretch is it to consider that the Freemasons are at the heart of all the world’s religious building traditions?—not just Christianity?

And how much of a stretch is it to believe that the operative Freemasons once understood an eternal doctrine of “truth” (an ancient “Sacred Science”) that’s more valuable than individual religions, and which they sought to preserve for posterity in the symbolic language of architecture? (i.e., not just Christian architecture, but in architecture all over the world).

Since a picture is worth a thousand words, here are a few thousand words in support of my thesis…

The following photos depict Mosques with Triptych entrances. It is my belief that the builders of these mosques were operative (Arabic) Freemasons encoding a deeper wisdom in the architecture.

Now, remember, this is not all the evidence I have of the Triptych / Sacred Science encoded in Mosques, it’s just a simple blog post:

Mosque of the Three Doors, Kairouan

Noyabaad Mosque

Bourguiba Mosque

Solo (Surakarta) Mosque Entrance

Taramati Masjid, Golconda Fort Freemasons

Red Mud Mosque - Triptych Freemasons

ramadan-at-badshahi-mosque-Freemasons gothic

Qairwin Mosque

Khan Mohammad Mirdhas Mosque

Grand Ummayad Mosque

Ancient Babri mosque

All of these mosques show clear evidence of “Triptych” three-in-one architecture.

—The same Triptych three-in-one architecture I’ve been able to link to the world’s most famous (and mysterious) Gothic cathedrals…

—The same Triptych three-in-one architecture I’ve been able to link to dozens of ancient civilizations across the world…

The Triptych has a DEEPER MEANING, a SYMBOLIC PURPOSE, a HIDDEN WISDOM…as you’ll see.

And the solution lies in the most mysterious and important of all the Masonic numbers—Three.

For more, visit www.DeeperTruth.com.