Here’s a final follow-up to my last two blog posts.

First, please review the mosque photos in my two prior posts.

Note the powerful and undeniable THREE-IN-ONE architecture on their facades.

Here is an example:

Khudasia Mosque

Look at the THREE domes and the THREE doorways.

See how the dome and doorway in the center is larger than the two flanking?

I call this THREE-IN-ONE architecture a “Triptych.”

These mosques clearly depict the same Triptych architecture that European Freemasons designed into the facades of Europe’s Gothic cathedrals.

Scholars have not yet recognized it, but mosque Triptychs are the mystical creations of “Arabian Freemasons”—just as cathedral Triptychs are the work of medieval European Freemasons.

My new book, Written In Stone, reveals how operative Freemasons purposely encoded Triptychs into cathedral architecture to secretly symbolize a powerful and ancient “Sacred Science of Three” they inherited from Antiquity. (Visit www.DeeperTruth.com).

So, with this in mind, the discovery of Triptychs on mosques indicates something very interesting:

As European Freemasons encoded the Triptych into cathedral architecture to symbolize the ancient worldwide “Sacred Science of Three”…so Arabic Freemasons encoded the Triptych into mosque architecture to denote the same.

After my previous post went live, I received a few emails from readers who identified themselves as Freemasons, questioning my conclusion that Freemasonry made its way into Arabia.

It’s a great question with a simple answer.

In fact, a well-known mainstream author named Albert Gallatin Mackey (1807 – 1881) wrote on this subject.

Keep in mind that back in the 1800s when Mackey was writing, the word “Mohammedan” meant “Muslims”:

“Nearly all of the old Mohammedan buildings in India, such as tombs, mosques, etc., are marked with Masonic symbols, and many of these structures, still perfect, were built in the time of the Mogul Emperor Akbar, who died in 1605. Thus Masonry must have been introduced into India from Middle Asia by the Mohammedans hundreds of years ago.”—Albert Mackey

Mackey clearly believed that Masonry was “introduced into India” by Muslims “hundreds of years ago.”

Mackey also gives us an important clue as to the possible source of Muslim Masonic architecture—the Mogul Emperor Akbar.

Now, rather than making you read a long, drawn-out explanation of history, I’d prefer to ask you to conduct your own study into the so-called “Mogul” Empire, also spelled “Mughal” (1526–1858).

Study its culture, analyze its art and architecture, and see if you can identify the Moguls as a Triptych-building people, as possessors of the Sacred Science from Antiquity.

(To understand what I mean by “Sacred Science,” visit www.DeeperTruth.com).

As you study the Moguls, I think you’ll see them as a family lineage of builders in stone—in a word, “Freemasons”—who were initiates of Triptych / Sacred Science wisdom.

That is to say, the Moguls appear to have been authentic Freemasons who knew the truth behind the ancient Triptych / Sacred Science.

And they knowingly replicated this Triptych / Sacred Science wisdom in the architecture they designed and constructed.

Let me leave you with one wonderful example, to get you started.

The Mogul Emperor Akbar (who, as Mackey tells us in the quote above, died in 1605) was a close relative to a man named Shah Jahan.

Now, the name “Shah Jahan” means nothing to you, right? That is, until you realize he was the builder of the great Taj Mahal.

With its three giant domes arranged in an ominous Triptych design, the Taj Mahal forms one of the most mysterious and incredible Triptychs on earth:

Flanking the Taj Mahal are a pair of mosques, both of which have three massive Triptych domes, as well as a clear Triptych portal entryway:

This is clear evidence that the Triptych was known to Arabic peoples, and was encoded into mosque architecture.

Amazingly, the two mosques flanking the Taj Mahal actually form a Triptych, along with it.

The two mosques are precise mirror images of each other.

Finally, here’s a snippet of text from a book called Freemasonry in the Eastern Hemisphere by Ray V. Denslow.

Denslow was master of Trenton Lodge No. 131, Missouri, and Grand Master of the Grand Lodge of Missouri in 1931:

“Freemasonry in India is no new venture. That there were societies of operative Masons there long before the British occupation is evident by the signs and symbols which are easily seen on many of the ancient forts, temples and tombs.”— Ray V. Denslow

Denslow also writes:

“A very interesting book on the subject entitled Indian Masons’ Marks of the Mogul Dynasty, has been written by Bro. Gorham.”

Now, I don’t want to get into a deep explanation of this book or these marks.

My point for this post, and for my two previous blog posts, is simply to suggest that an “Arabian” form of Freemasonry surely existed, though scholars don’t recognize it.

As evidence, we find Triptych architecture in mosques all over Arabia, just as we find Triptych architecture in cathedrals throughout Europe.

Why? Because there’s a deeper meaning behind the Triptych; it symbolizes a lost ancient Sacred Science perpetuated by the Freemasons.

Stay tuned for more evidence that reveals how the Triptych (and the Sacred Science it symbolizes) is the real-life Lost Symbol of the Freemasons.

Or visit www.DeeperTruth.com for more.

Hyped-up “Freemasonry’s Lost Secret Found” headlines, like the one I’ve used in the title of this post, are common nowadays.

But, the trouble is, when you actually read the book, watch the program or skim the article, you end up no closer to actually understanding Freemasonry than before, right?

My research and discoveries are different.

Note how I added the second part: Freemasonry’s Lost Secret Found “Encoded Into Gothic Cathedral Architecture.”

What architecture?

For starters—and, remember, no one else in the world has ever showed you this before—I’ve uncovered the fact that many famous gothic cathedrals share the same architectural facade:

Not impressed?

Well, I think you should be.

Just ask yourself: Why?

Why did the builders—history’s “operative Freemasons”—use this particular pattern?

Does this mysterious design somehow hold a hidden meaning?

There’s clearly a repeating blueprint at work here, no doubt.

But what exactly does this repeating blueprint mean? Is it just a randomly chosen design?

Or is there a deeper “meaning” or “message” or even “warning” behind this pattern?—Some kind of “riddle” or “secret” written in stone?

I’ve studied this blueprint for more than ten years, and I’ve deciphered its hidden meaning, a riddle intended by the builders/designers.

It’s perhaps the strangest secret I’ve ever come across.

Over the next several weeks, months, and even years I’ll be revealing everything I’ve learned concerning this mysterious and ancient design (which I call a “Cathedral Code” on www.DeeperTruth.com).

And, in a very short time, you’ll learn and understand exactly what the “Lost Secret” of Freemasonry really is—unlike those History Channel programs and BBC website links which promise the world and deliver next to nothing.

This is because it is precisely the Lost Secret of Freemasonry that has been encoded in the architecture here.

You’ll also see how the pinnacle of this secret lies in every cathedral’s powerful Triptych “three-door” entryway:

As an Italian boy raised Catholic, I assumed the Triptych entrance stood for “Father, Son, Holy Spirit”—the so-called “Holy Trinity.”

But, several years ago, while traveling abroad I realized that this Triptych entrance stands for something much different, something much more mysterious and much more powerful and esoteric.

For example, the Triptych is present not just in Christianity (Christian architecture) but in Islam (Islamic architecture) as well—as literally thousands of Triptych entrances to Mosques indicate:

And this is only the start…

For more, visit my www.DeeperTruth.com website.

Also, please stay posted to this blog as I unravel Gothic cathedral architecture in a way that I feel 98% of scholars have missed.

The Masonic builders of the Gothic cathedrals were surely trying to tell us something with the Triptych architecture, and with the entire cathedral itself.

This secret wisdom is by far the most important thing you’ll ever learn, whether you’re a doctor, astronaut, physicist or mystic.

I promise you that everything I show you from here on in will be rooted in scholarship, grounded in reason and written in stone.

So stay tuned. There’s lots more to come…