The “Triptych Temples” of Atlantis

Above: The ancient pyramid cultures all built Triptych temples—Does this mean they shared the same religion?

We already know the accepted version of the history of civilization. But did you know there is another more hidden history that is not so widely known?

It states that the origins of civilization lie at the bottom of the Atlantic Ocean. That our civilization is a distant echo of a once great kingdom named “Atlantis,” which was home to an advanced and spiritually sophisticated society.

This hidden history was proposed and maintained by Victorian-era scholars in the 1800s after they discovered a series of mysterious and inexplicable ancient cultural parallels worldwide: parallels like pyramid construction, corbel arches, and mummification:

Above: No records exist of any contact between these civilizations. How, then, can we explain these parallels?

To the Victorians it seemed inconceivable that these similar societies could have evolved separately; it was more logical to think they all evolved from the same “parent source.”

The Victorians theorized that a highly-sophisticated but now vanished Golden Age civilization, which they called “Atlantis,” must have flourished in remote Antiquity, long before the rise of the world’s first “known” cultures (i.e., these first cultures being the Egyptians, Chinese, Mayans, etc.).

The peoples who lived in this Golden Age civilization built pyramids, practiced mummification, and constructed corbel arches.

Quite suddenly, however, the Golden Age civilization disappeared, perhaps overwhelmed by a great Flood; groups of survivors escaped to different parts of the world, forming new cultures that eventually evolved into the first cultures (i.e., Egyptians, Chinese, Mayans, etc.).

This model of history stood unchallenged for many years, but it was suddenly abandoned in the 20th century when a new wave of Western scholars declared that not enough evidence exists to support it.

Now, a groundbreaking new discovery has been made that throws tremendous weight behind the Atlantis theory. Parallel “Triptych” temples have been discovered in the ruins of the world’s first civilizations, the pyramid cultures.

The discovery of these mysterious “Triptych” temples has not only escaped the attention of modern scholars, but also the attention of Victorian-era scholars, who studied these types of ancient cultural correspondences:

Above: Triptych temples are still visible in the ruins of ancient civilizations across the globe.

Why and how do all these temples exhibit the same parallel architecture, as if constructed by masons sharing a similar knowledge base? Do these Triptych temples indicate a shared religion? Are modern scholars missing an important piece to the human puzzle?

In fact, scholars are missing the key piece; the Triptych three-in-one architectural pattern has been found to be nothing less than the lost Universal Religion of the pyramid cultures, and the Universal Religion of Antiquity in general. (See www.DeeperTruth.com)

With the dawn of Christianity came a period of change. As the new Christian religion spread worldwide it replaced the Universal Religion of the ancients. The Dark Ages ensued (5th – 15th Centuries). During this time, Egyptian, Roman, Greek and Babylonian Triptych temples fell into ruin; it appeared that many, if not all, connections to the Universal Religion were severed or so diluted that it would soon become lost.

It was during this era that a powerful Secret Society called the Masonic Fraternity (or Freemasons) stepped onto the stage of history and began what would become their triumphant quest to keep the Triptych wisdom from dying out. The Freemasons were one among many “Secret Societies” that continued to practice the ancient Universal Religion, and that carried on the Triptych tradition:

Above: Secret Society headquarters with Triptych entrances.

Commissioned by the Church to build Europe’s Gothic cathedrals, the Freemasons secretly encoded the Triptych’s wisdom into the facades of churches, castles, cathedrals, stone landmarks, reliefs, monuments, and statues, where it remains concealed today.

Above: Gothic cathedrals with Triptych entrances.

Written In Stone takes you on a journey through history’s earliest and greatest civilizations to show you the presence of the Triptych—an undocumented and mysterious ancient cultural correspondence.

The book highlights how different peoples in different times and places understood and practiced the same Universal Religion / Sacred Science which they all symbolized by the same Triptych three-door entry.

It also shows how history’s operative Freemasons fully understood the ancient legacy of the Triptych, and secretly incorporated its design into the entryways of churches, castles, cathedrals and other sacred structures.

This quest for lost wisdom will carry you across the Nile in Egypt, to the ancient lands of Persia and China, into remote regions of India and Southeast Asia, high up the Andes Mountains, and deep into Mesoamerica’s thick jungles to discover and decipher ancient architecture and gain true insight into the ruins of the world’s most magnificent ancient empires.

We’ll see how the Renaissance itself was nothing short of a “rebirth” of the Universal Religion / Sacred Science in Europe, and a rediscovery of ancient Triptych wisdom:

Above: The real-life “Da Vinci Code”  is the ancient Triptych behind Christ! Leonardo da Vinci encoded the Triptych and its esoteric meaning in The Last Supper, a fact still not recognized by scholars.

We’ll also see how the Masonic Fraternity is no longer a true repository of the Triptych / Universal Religion / Sacred Science wisdom, having lost its original purpose, but does still hold the lost wisdom in its symbolism, ceremony, and ritual.

As a result, few Freemasons and even fewer Westerners know of the existence of the Triptych / Sacred Science; it is an enlightening and empowering tradition that enables humans to excel and reach seemingly superhuman levels of accomplishment. It’s no coincidence that Freemasonry has included many famous and world-changing men, including Washington, Benjamin Franklin, Voltaire, and Mozart.

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Written In Stone has the makings of an intellectual revolution, but it tells us something more. As we recover the truth about prehistory, we will slowly become awakened to our own hidden potential—for its precepts are as applicable in our own lives today as they were in the lives of our ancestors thousands of years ago.

Richard Cassaro